Guitar instruction, music articles, musician columns, guitar tips, music publishing, guitar maintenance

 Join CleverJoe's!
Click here
for Joe's clever

What's New
Musician Articles

Music Gear
Used MusicGear
Midi, Computers

Music Canada
Bands, Musicians
Retail Stores

Site Info
Help Wanted!

Home Page
Site Map


Looking for great deals on guitar strings?

Psst!! Wanna buy some guitar strings?
Click here and check out the action at SheetMusicPlus.

Korg GA-20 Tuner
Korg GA-20 Tuner

Guitar and Bass guitar tuner. Unless you have the gift of perfect pitch, you should have one of these.

Artist's Way
The Artist's Way
Unlock your creative energy! Imagine unlimited creativity, confidence and productivity. A truly valuable self-help book which has helped millions of musicians and artists tap into their creativity.

Musician's Friend Homepage

Join CleverJoe's clever newsletter and he'll let you know when new articles are posted.

Guitar: Review is Required!

by Jamie Andreas (
Even more CleverJoe guitar articles

One of the aspects of a properly balanced practice approach that is very often overlooked is REVIEW. The common tendency of most students is to focus on "new" things to play, even if last month's or last year's "new" thing was never properly learned. There are a few reasons for this:

Reasons We Don't Review:

1.New is always exciting. There is a certain rush of exhilaration as we begin a new song or piece, especially if we really like it. Some of us are just addicted to that buzz!

2.Taking on something new gives us the feeling that we are "moving along". Well, I guess we are, but where we're going isn't going to be any better than the place we just left!

3.Our teacher may want us to "move along" to the next page in the book, or a new song. This is because he/she is afraid we will think we are not learning if we stay to long on one thing, or go back to something we had previously worked on.

4.Going back and reviewing something makes us feel bad about ourselves as guitar players, since we know what is going to happen if we go back and try to get that solo, or that piece, to sound better than it did last time we played it. We won't be able to! We will hit all the same problem spots, and they will still be problems, and the music will sound the same as it did the last time we battled with it. We will fight the same battles, and we will lose again. That is because we are fighting them the same way! Because we never learned how to practice, WE DON'T KNOW HOW TO IMPROVE THINGS! (As I began to learn how to practice, how to take something and make it better, reviewing took on a very enjoyable, even exciting aspect. Since I was getting better all the time, I couldn't wait to see how much improvement I could create on a piece I really loved, and had some little, maybe big problems, with.)

You must examine yourself, and see where you stand with all of this.
Ask yourself these questions:

1.Do I regularly review songs, pieces, solos, and exercises?

2.Do I see the results of regular review bearing fruit for me in the form of an ever growing repertoire (group of pieces we have mastered and can play)?

3.Is this repertoire getting "better" all the time, or is it plagued with weak spots?

We are, of course, looking for YES answers here. If you come up with "No's" , "Maybe's", or "Um, could you re-phrase the question", then you need to take serious heed of what I am saying.

Now of course, we must take on new material, and review old material on a regular basis. Let's look at some of the reasons why this is so.

Reasons We Should Review: Long Range/Short Range Building of Skills

Often, when I give a student something new, I tell them "it is not possible for you at the present level of your development, to learn this piece (or song) well enough to be able to play it the way it is supposed to be played. Consider this piece like a tree you are planting. It will take a while, maybe a year or two, to grow fully. Each time you come back to work on this again, each time you review it, it will grow taller and stronger. Right now, we are just going to "plant the seed".

We then work on the piece or song or even exercise, until a "first goal" is reached. A "first goal" is the level of proficiency that I feel the student is capable of achieving at their present level of development. Of course, this means the level they can bring the music to IF they do their absolute best in terms of practicing it. This may take two weeks, it may take two months, it may even take 4 to 6 months before I feel the student has taken it as far as they can.

At this point, they can stop "working on" the music, and just "play it". It can become part of their repertoire even if it hasn't been brought up to performance level. Playing it will keep it in their fingers, and in a general way, it may even improve just by playing it, but usually whatever technical problems still remain WILL remain.

Whether the music is still played, or put aside, the point is that at some later time that music must be re-visited. Those technical problems that were beyond reach must be gone back to later on, maybe six months later, maybe a year. IF THE STUDENT HAS BEEN DEVELOPING PROPERLY THEY WILL BE ABLE TO TAKE THAT MUSIC FURTHER, BEYOND THEIR FIRST GOAL.

It is this process, repeated over and over, that builds a solid repertoire, and a solid player.

A good example is a student of mine who was new to fingerpicking. We worked on Dust in the Wind for about 6 months, and I mean the whole song as a guitar solo, chord melody arrangement, including transcribing the violin solo for guitar. He learned it pretty well, but it broke down in a few places due to left hand problems and the fact that he wasn't properly trained in classical right hand technique ( we had been doing mostly electric and jazz up till then).

We then spent about a year doing classical studies, and recently, I told him to review Dust in the Wind. What a difference! He now can play it very fluently, and it is extremely satisfying for both of us to see the progress that was made. This is the way it should be for all of us.

Review with a "New You"

Robert Louis Stevenson said "A man who holds the same views at forty that he did at twenty, is a man who has been stupefied for twenty years!" I say, a person who plays a piece of music at the same level now as he did a year ago, does not know how to practice and does not know how to create vertical growth in their playing ability.

At any given point, there should be a "new you", when it comes to life, or guitar. When this "new, improved you" reviews an "old piece of music", it should become a "new, improved, piece of music" once again.

Click here for more of Jamie's articles

Jamie’s provocative writings examine all aspects of becoming a true musician…the technical/physical, mental, emotional, and spiritual dimensions. Guitar virtuoso, recording artist, composer, and teacher of 30 years, Jamie is recognized by music experts around the globe for her major contribution to the advancement of guitar education. Her method book, “The Principles Of Correct Practice For Guitar” (1999) continues to bring the highest acclaim, world renowned as “The International Bible For Guitarists”, and the “Holy Grail Of Guitar Books.” With a straight forward writing style, her tried and true, result-oriented guitar book powerfully reveals the correct practice methods that no other book has revealed…taking the student from the beginning stages all the way to the highest levels of virtuosity. Jamie is already familiar to aspiring guitar players, as her wisdom is present throughout the Web on all major guitar sites, including her own. Visit her web site:

More Articles     CleverJoe Home Page

Please let us know what you think, and if you have any suggestions for future articles, or want to contribute to click here.


Submit a web site     Join mailing list
Copyright © CleverNet. All rights reserved.

CleverJoe says: If yer clever, you'll also check these great sites: